
Singer-songwriter Jessie Wilson brings a fearless edge to country music that refuses easy labels. Born and raised in Phenix City, Alabama, her sound blends classic country twang, retro country soul, and the grit of outlaw Americana.
She was raised on outlaw legends like Hank and Waylon, the powerhouse voices of ’90s country, and her mom’s love for Motown, soul, and feel-good ’70s groove.
Jessie began writing songs and playing guitar at 16. Since then, her path has taken her from leading worship in churches to coffee shops, restaurants, and dive bars. When she’s not on the road, she’s a familiar face on Lower Broadway—where long nights have shaped her grit, stage presence, and sound in a way only Nashville can.
Known for her electric live shows and natural connection with audiences, she proves that real country is alive, evolving, and built from the ground up.
Jessie's second EP arrives April 3, 2026.
“Alabama native Jessie Wilson's show-stopping vocals and thoughtful lyricism have been winning over listeners with a recent stream of stellar cuts from her upcoming debut EP.”
The Boot
"Produced by David Dorn, the project was recorded at Farmland Studios in Nashville and showcases Wilson's ability to tap into relatable yet complex human emotions."
The Boot
"Following the release of her debut EP this past March, How ‘Bout We Find Out, which featured the standout track “That’s What Momma’s Are For,” the Alabama native immediately began turning heads with an ultra-fresh sound that combined pieces of folk, country, and singer-songwriter vibes into a branding that blazed her own trail underneath the umbrella of Americana."
Today's Country Magazine
"With the Americana tag best suiting the blended styles within the overall feel of this song, the true duet pulls in plenty of intriguing, traditional country flare to not only satisfy the thought-provoking lyrics and perfect usage of the individually within each their respective voices, but it also strikes the right chord with the country loving listeners who are clamoring for a little more steel guitar and little less pop backbeat."
- Today's Country Magazine
(review written about "Airstream Dreams")




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